In this month’s instalment we discuss our film/manifesto The Quest For The Cine-Rebis (2016), while shooting off onto various topics, including artist manifestoes, Arthurian quests, alchemy, creativity, feet and shoes, the politics of film funding, spirituality, gender and more!
“For us the title of a film is like an egg that can be opened and inside you can find the entire universe of the film, if you could somehow ingest the title then the film would play in its entirety within your mind and you would know it throughout your whole body. In our work a title nearly always comes at the very beginning of a project, it guides us strongly through the forming of the film. From that short couple of words we are able to unravel the core purpose of the production. Sometimes our titles totally baffle us but we stick to them anyway and trust in them to guide us through the creative process. They are instinctively chosen, so they have a wisdom that is beyond our conscious mind, it is so fascinating to speak with them as if they are characters and learn from them. The Quest For The Cine-Rebis is a very direct title, it offers the three central motifs essential to this work: the mythological quest, the alchemical work and the medium of cinema.”
Read the full text:
An Interview in 12 Parts. Part 7: The Quest For The Cine-Rebis
Many thanks to Exploding Appendix’s Bradley Tuck for his ongoing support and collaboration!
Daniel & Clara