In this month’s instalment we discuss our film In Search Of The Exile (2016), while shooting off onto various topics, including sound design, the relationship between painting and cinema, the differences between experimental film, video art and arthouse film, plus lots more!
“If our films can be an opportunity for a kind of experience in which each viewer’s imagination can be activated somehow, become aware of themselves, of their perception, their expectations, their thought processes, their feelings, their senses – and in that moment to be alive, engaged and creating their own meaning – then we’re happy.”
“The effect of sound is very physical and, in cinema, sound can be even more effective than the image in grounding our experience, it has an immediate visceral impact that tells us where we are, what the space is, and how things are spatially related to us. We like to experiment with this and have been exploring the various possibilities of how image and sound can interact. With the films of this period we were interested in using sound to create a first person experience for the viewer but not always one where they are entirely sure what they are hearing, we like to create unexpected associations between image and sound, disruptions and discontinuities that make the audience feel something that goes beyond an experience of just eyes and ears, it is activated in their bodies then expanded upon by their imaginations.”
Read the full text:
An Interview in 12 Parts. Part 8: In Search Of The Exile
Many thanks to Exploding Appendix’s Bradley Tuck for his ongoing support and collaboration!
Daniel & Clara